{"id":1359,"date":"2024-01-18T16:16:09","date_gmt":"2024-01-18T15:16:09","guid":{"rendered":"https:\/\/partnershipstudiesgroup.uniud.it\/?page_id=1359"},"modified":"2025-03-31T01:09:17","modified_gmt":"2025-03-30T23:09:17","slug":"poesia","status":"publish","type":"page","link":"https:\/\/partnershipstudiesgroup.uniud.it\/?page_id=1359","title":{"rendered":"Poetry"},"content":{"rendered":"\n<p>The Partnership Studies Group has a particular focus on the <strong>transformative power of imagination<\/strong>. As Einstein says, \u201cImagination is more important than knowledge. Knowledge is limited. Imagination encircles the world\u201d. And David Malouf, in&nbsp;<em>An Imaginary Life<\/em>, states:&nbsp;&#8220;We are free to transcend ourselves. If we have the imagination for it&#8221;. <strong>Poetry, art and music are instruments of beauty and truth, of openness, dedication and care towards the&nbsp;<em>Other<\/em><\/strong>. &nbsp;<\/p>\n\n\n\n<p><strong>Although&nbsp;<em>P\u00f3iesis<\/em>&nbsp;today is often considered as an imaginative contemplation detached from the world, from immemorial time it has always been \u201caction\u201d<\/strong>. Indissolubly linked to voice and song, it is a spell; in ritual actions to interact with the world it becomes a drama; in Romanticism, where the poet is&nbsp;<em>Vates<\/em>, poet and prophet, it is a teaching of how to \u201clive in the world\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Poesia e Magia\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/dLv2EcN65Ug?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color\" style=\"font-size:30px\"><strong>The PSG&#8217;s Actions for Poetry<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong><span class=\"has-inline-color has-luminous-vivid-orange-color\">In Memory of Francesco Benozzo. Beloved Friend, Shaman, Poet, and Bard<\/span><\/strong><\/p>\n\n\n\n<p><strong>Antonella Riem Natale for the International Partnership Studies Group and the Global Academy of the Liberal Arts Network<\/strong><\/p>\n\n\n\n<p>Dear Colleagues and Friends,<\/p>\n\n\n\n<p>It is with a heavy heart that I share the devastating news of the sudden death from a heart attack of our beloved friend Francesco Benozzo, poet, singer, musician, and Bard, as well as our candidate for the Nobel Prize in Literature. This is an immense loss for all of us \u2012 friends, colleagues, and the wider world of scholarship, poetry, music, and song. In honour of his remarkable legacy and in celebration of the beauty, light, and truth he brought into the world, I would like to share an excerpt from the afterword I wrote for the third publication of his brilliant, original, and thought-provoking poetic work, part of our <a href=\"https:\/\/forumeditrice.it\/percorsi\/lingua-e-letteratura\/all\/sciamanica\">ALL series<\/a>.<\/p>\n\n\n\n<p><em>Sciamanica. Poemi dai confini dei mondi.&nbsp;Poems from the Borders of the Worlds&nbsp;(2013-2023)<\/em>&nbsp;is the third publication in our series ALL of a book by Francesco Benozzo, and it completes an important triangulation. The first publication of the <a href=\"https:\/\/forumeditrice.it\/percorsi\/lingua-e-letteratura\/all\/poeti-della-marea\/poeti-della-marea\/libro_view\">Welsh Bards&#8217; songs<\/a>&nbsp;is the basis of this creative equilateral triangle, where Benozzo recovers and presents what he thinks is at the foundation of our world poetry, that is the Bardic poems\/songs in the ancient Celtic traditions. Benozzo imagines them as men constantly exposed to the inclemencies of bad weather, with seaweeds sticking on their ankles when they walked along the rocky seaside plateaus, rhythmically and dangerously being submerged by the high tide and then resurfacing in the low. He imagines them moving constantly on river estuaries and in the small villages of the heartland, classical figures of poetic dissidence who fought through poetry and song, trying to show what really mattered, the permanent and fundamental elements of nature and life, far from its empty social habits and customs. Benozzo believes that a rebirth can or should take place through the poetic word and song, expressed through a poetic dissidence and tied to the great and ancient landscapes, rather than connected to the social packs of&nbsp;<em>Homo Sapiens<\/em>, with his disruptive appropriation of the Earth for his own vile purposes. Benozzo speaks of a few solitary voices that continue to tell about winds and tides and men and women who can never resign to world injustices. This is also the role of his own voice, in his poetry, song, academic work and poetic dissidence. He continues to inspire young and old who happen to&nbsp;<em>meet<\/em>&nbsp;his work and him in his lectures\/concerts worldwide, beautifully occasioned also by his victory in 2022 of the first edition of the International Prize Poets from the Frontier. The prize was awarded on July 1st 2022 in the Gardens of Palazzo Antonini, Udine University. This is the International Jury\u2019s motivation:<\/p>\n\n\n\n<p>Francesco Benozzo originally traverses different genres with outstanding beauty and originality, balancing visionary power with an in-depth reading of landscapes experienced through and in the physical body. This occurs through a \u2018spontaneous adherence\u2019 to their rhythm, as a voice and lyric experience of the magnificence of the natural world. Thanks to his precious ethnophilological, social, cultural work and his civic engagement he succeeds in reviving ancient native traditions, giving voice to ancestral landscapes, at the margins and ridges he explores as an itinerant walker, moving like an acrobat along a fine line, at the edge of mythology, lyric and song. His idea of poetry is significant and original. Benozzo\u2019s poetry builds \u2018unusual mansions\u2019 for itself; his poetry, as he says, \u2018manifests while subtracting itself\u2019. It takes form always on high cliffs and at the edge of emerged lands, in a timeless and universal dimension, which, at the rhythms of the poet\u2019s walking, sets the step for a positive restlessness, erratic and nomadic, open to a dialogue with places and the ancient Bards\u2019 song.<\/p>\n\n\n\n<p>This is a fond memento of that very special occasion.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"1024\" height=\"855\" src=\"https:\/\/partnershipstudiesgroup.uniud.it\/wp-content\/uploads\/2025\/03\/PHOTO-2025-03-23-20-36-53-1024x855.jpg\" alt=\"\" class=\"wp-image-1533\" srcset=\"https:\/\/partnershipstudiesgroup.uniud.it\/wp-content\/uploads\/2025\/03\/PHOTO-2025-03-23-20-36-53-1024x855.jpg 1024w, https:\/\/partnershipstudiesgroup.uniud.it\/wp-content\/uploads\/2025\/03\/PHOTO-2025-03-23-20-36-53-300x250.jpg 300w, https:\/\/partnershipstudiesgroup.uniud.it\/wp-content\/uploads\/2025\/03\/PHOTO-2025-03-23-20-36-53-768x641.jpg 768w, https:\/\/partnershipstudiesgroup.uniud.it\/wp-content\/uploads\/2025\/03\/PHOTO-2025-03-23-20-36-53-1140x952.jpg 1140w, https:\/\/partnershipstudiesgroup.uniud.it\/wp-content\/uploads\/2025\/03\/PHOTO-2025-03-23-20-36-53.jpg 1290w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>The second side of this triangle is a dense, thought-provoking and penetrating poetic manifesto on Benozzo\u2019s own idea of poetry, in its multifarious connections and echoes with the natural world and song.&nbsp;<em><a href=\"https:\/\/forumeditrice.it\/percorsi\/lingua-e-letteratura\/all\/the-ridge-and-the-song\/the-ridge\/libro_view\">The Ridge and the Song. Sailing the Archipelago of Poetry<\/a><\/em> indicates a path to the poetry reader\/lover, in particular for those who believe poetry can still save the world, taking us into the secret\/sacred core of poetry and his own poems, in their mysterious creative energy, full of sudden revelations, incredible heights and fearful abysses of magnificence and verity. Benozzo explores the way&nbsp;<em>Homo Poeta<\/em>&nbsp;composes and sings the cosmos and gives voice to a poetic dialogue and mirroring between inner and outer worlds, the Landscape and the Soul. Thus, the Poet is the ancestral shaman, who, like the Welsh Bards, while ritually walking the landscape, expresses integrity and grace for those who can listen with their open hearts.<\/p>\n\n\n\n<p>The most welcomed and applauded third side of this equilateral triangle is this publication,&nbsp;<em><a href=\"https:\/\/forumeditrice.it\/percorsi\/lingua-e-letteratura\/all\/sciamanica\/sciamanica\/libro_view\">Sciamanica. Poemi dai confini dei mondi.&nbsp;Poems from the Borders of the Worlds&nbsp;(2013-2023)<\/a><\/em>.&nbsp;Thanks to the gracious collaboration between Chiara De Luca, with her praiseworthy&nbsp;<em>Kolibris<\/em>&nbsp;publisher, and our series ALL, Forum Editrice Universitaria, we collect here the seven main Poems by Francesco Benozzo, published in the past ten years, with an English translation by the Canadian poet Gray Sutherland. They are mythological and epic texts composed mainly in an oral form,&nbsp;<em>en plein air<\/em>, and then transcribed in Benozzo\u2019s notebooks. The poet moves in an absolute physical contact with natural landscapes and creates poems that are \u201cpoised between shamanic song and the cosmogony of the human heart\u201d, as the U.S.A. poet Barry Wallenstein commented. The literary critic M. Lope Estrada thus speaks of Benozzo\u2019s poetic activity: \u201cVisionary, bewildering, epic, Benozzo has a special capacity to take the word back to the moment when it named the world for the very first time. [\u2026]. What this poet consistently and surprisingly puts into action, poem after poem, is a revolution of the very idea of poetry: bluntly, and with its timeless and universal dimension, he is today\u2019s Homer of post-modernity\u201d.<\/p>\n\n\n\n<p><em>Sciamanica<\/em> significantly relates to shamanism and manifests a profound and creative connection with the Master of Partnership Studies and Shamanism, in its subsequent incarnation under other subtitles: Master of Partnership Studies and Native Traditions, Master of Partnership Studies and Poetry and Wisdom I direct, active at my Department DILL, University of Udine, since 2020-2021. Benozzo\u2019s long-standing scholarly knowledge and profound experience of world native shamanic traditions was the occasion to invite him to participate in the International Scientific Committee of the Master, together with other worldwide experts of shamanism. This was the beginning of a profound and beneficial collaboration,&nbsp;and a long standing friendship which brought and will always bring&nbsp;to fruition many interesting and valuable projects, such as these editorial works, concerts, projects, lectures and much more.&nbsp;<\/p>\n\n\n\n<p>The first thing I wish to mention about Benozzo\u2019s Poems is the epic originality, freshness and powerful resonance of their titles, so far removed from any fashionable poetic trend, empty and superficial, aiming at tickling the palate of a public used to synthetic tastes, full of artificial flavourings but empty of any nourishing force. Inert, dead, empty.&nbsp;<\/p>\n\n\n\n<p>On the contrary, these titles, these noble and ancient words, cleansed of their everyday and banal use, renewed and&nbsp;<em>trans-formed<\/em>&nbsp;through the poet\u2019s power of intent observation, create a potent alert for the mind and the senses. They invite to an impassionate but steady gaze and ear, preparing the reader to be ready and move along with the rhythm of the verses and the landscapes they cover \u2013 or try to&nbsp;<em>uncover<\/em>.&nbsp;<em>Onirico Geologico&nbsp;<\/em>\/<em>&nbsp;Oneiric Geological<\/em>&nbsp;(2013);<em>&nbsp;Felci in rivolta. Un Poema orale in quattro parti \/ Ferns in Revolt.&nbsp;An Oral Poem in Four Parts<\/em>;&nbsp;<em>La capanna del naufrago \/ The Castaway\u2019s Shack<\/em> (2017);&nbsp;<em>St\u00f3ra D\u00edmun. Poema camminato \/ A Walked Poem \/ Gongur\u00edma<\/em>&nbsp;(2019);&nbsp;<em>Poema dal limite del mondo \/ Poem from the Edge of the World&nbsp;<\/em>(2019);&nbsp;<em>M\u00e1elvarstal. Poema della creazione dei mondi \/ Poem of the Creation of the Worlds<\/em>&nbsp;(2020);&nbsp;<em>Autoktonia. Poema del suicidio \/ Poem of the Suicide<\/em> (2021). This is so far the main published poetic production of Benozzo. However, thousands of lines lie half-dormant and secreted in his notebooks and recordings. I hope they will take to light soon and be launched into the world, for the benefit of beauty and poetry, bringing to us their majesty and glory, their wealth of perceptions, melodies, vibrations, words, harp and song. A gift of poetry, beauty and truth has to be revealed, openly, passionately, wholeheartedly. It has to be shared as a boon of partnership for the world, to take flight and light, thus illumining our paths.<\/p>\n\n\n\n<p>As Benozzo says, we know very little of the Soul. Some say it quenches its thirst at the sources of dawn, like breeze. Benozzo imagines it rather like a wild animal, a magnanimous and ferocious creature who occasionally embraces us humans as the tiger from time to time embraces the enamoured trees in the wilderness. Reading Benozzo\u2019s poems is like being embraced by the wild, magnanimous, ferocious and enamoured tiger, by our wild Soul, quenching our thirst for Beauty and Truth at dawn, \u201cdrinking the milk of Paradise\u201d in the verses of Benozzo\u2019s Poems, like in the Welsh Bard Taliesin\u2019s lines:<\/p>\n\n\n\n<p>I was among the wise men,<\/p>\n\n\n\n<p>I am the old and the new course<\/p>\n\n\n\n<p>I am the voice, I am the soul of men.<\/p>\n\n\n\n<p>I am a bard, I do not compose for others,<\/p>\n\n\n\n<p>I am the principle, I am the life of things.<\/p>\n\n\n\n<p><em><strong>Francesco, Rest in Peace and Light and Beauty and Truth. You are the Life of things.<\/strong><\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><a href=\"applewebdata:\/\/7331D46D-B4F3-443B-97A8-245411F0CD4F#_ftnref1\"><sup>[1]<\/sup><\/a>&nbsp;Benozzo, Francesco,&nbsp;<em>Poeti della marea. Canti Bardici Gallesi dal VI al X secolo<\/em>. Udine, Forum, 2022, p. 61: \u201cIo fui tra gli uomini saggi \/ Io sono il vecchio, sono il nuovo corso \/ sono la voce, sono l\u2019anima degli uomini. \/ Io sono un bardo, non compongo per gli altri, \/ Io sono il principio, sono la vita delle cose.\u201d (I translate from Benozzo\u2019s Italian version).<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color\">After its first official nomination of Francesco Benozzo for the Nobel Prize in Literature in 2024,&nbsp;<strong>the Partnership Studies Group has officially confirmed its nomination of Francesco Benozzo for the Nobel Prize in Literature 2025.<\/strong><\/p>\n\n\n\n<p>After its first official nomination of Francesco Benozzo for the Nobel Prize in Literature in 2024, the Partnership Studies Group&nbsp;<strong>has officially confirmed its nomination&nbsp;of Francesco Benozzo for the Nobel Prize in Literature&nbsp;2025<\/strong>.&nbsp;Benozzo is a member of the PSG and of the international scientific committee of the pioneering Master of Partnership Studies and Native Traditions held at the University of Udine. <strong>He is an internationally acclaimed Italian lyric poet, harpist, composer, singer and bard, ethnophilologist<\/strong> (a discipline he founded)<strong>, dialectologist, ethnographer, and anthropologist<\/strong>. His&nbsp;poetic work is extraordinary, penetrating and vast,&nbsp;and it is centred on the intense and diffused exploration of places, with their poetic mappings of the self and the world, across the&nbsp;Apennines, Galicia, Wales, the Lake District and the Faroe Islands. The most distinguished facet of his production is the retrieval and valorisation of world\u2019s native traditions, through his scientific research, his poetry and performative poems with his Bardic and Celtic harps. His approach to life and literature has always been characterised by an active engagement in intellectual&nbsp;debate and public life, an artistic practice of critical thinking and civil dissidence he believes to be a fundamental role and mission of the artist. <strong>He is the author of long epic-oral poems translated into the main languages<\/strong>. Among his <strong>800 publications<\/strong>, the international book series ALL (Forum editrice Universitaria Udine,&nbsp;<a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/forumeditrice.it\/percorsi\/lingua-e-letteratura\/all\/sciamanica\/sciamanica\/libro_view\">https:\/\/forumeditrice.it\/percorsi\/lingua-e-letteratura\/all\/sciamanica\/sciamanica\/libro_view<\/a>) has published three significant volumes he authored: the latest bilingual edition of his poems is <em>Sciamanica. Poemi dai confini dei mondi \/ Poems from the Borders of the Worlds<\/em>&nbsp;(2023); a new \u201cdefence of poetry\u201d,&nbsp;<em>The Ridge and the Song. Sailing the Archipelago of Poetry<\/em>&nbsp;(2022); and a groundbreaking poetic translation of the ancient Welsh Bards,&nbsp;<em>Poeti della marea. Canti bardici gallesi dal VI al X secolo<\/em>&nbsp;(2022). Here Benozzo highlights how the oral and sung performances of these Celtic poets were characterised by a visionary inclination, strongly tied to the elements of the physical landscape, and by a profound sapiential and animistic yearning which is unparalleled in the Western world. Attached to the book there is a CD in which the author performs with his bardic harp and reinterprets some of the compositions he translated.&nbsp;Significant for their transcultural dimension are the 2024 publications <em>Homo Poeta<\/em>&nbsp;and&nbsp;<em>Lo Sciamanesimo. Origini, Tradizioni, Prospettive<\/em>&nbsp;(La Vela edizioni).Benozzo creatively traverses different genres with outstanding beauty and originality, balancing visionary power with an in-depth reading of landscapes experienced through and in the physical body. Benozzo has the poetic capacity to recapture the original word when it first named the world. Poem after poem, unfailingly he enacts a revolution of the very idea of poetry: with his atemporal and universal dimension, he is the Homer of post-modernity.<\/p>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color\" style=\"font-size:18px\">Therefore, <strong>the PSG has officially nominated Francesco Benozzo for the 2025 Nobel Prize in Literature<\/strong> with an emphasis on his unique intellectual and poetic achievements.<\/p>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color\" style=\"font-size:18px\"><strong>GALA, the internationally renowned Global Academy of Liberal Arts, supports Benozzo&#8217;s nomination for the Nobel Prize in Literature 2025<\/strong>. <a href=\"https:\/\/gala.network\/members\/rebeccams\/buddyblog\/my-posts\/5739\/\">Click here<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"1024\" height=\"683\" src=\"https:\/\/partnershipstudiesgroup.uniud.it\/wp-content\/uploads\/2024\/01\/Benozzo-1-1024x683.jpg\" alt=\"\" class=\"wp-image-1376\" srcset=\"https:\/\/partnershipstudiesgroup.uniud.it\/wp-content\/uploads\/2024\/01\/Benozzo-1-1024x683.jpg 1024w, https:\/\/partnershipstudiesgroup.uniud.it\/wp-content\/uploads\/2024\/01\/Benozzo-1-300x200.jpg 300w, https:\/\/partnershipstudiesgroup.uniud.it\/wp-content\/uploads\/2024\/01\/Benozzo-1-768x512.jpg 768w, https:\/\/partnershipstudiesgroup.uniud.it\/wp-content\/uploads\/2024\/01\/Benozzo-1-1140x760.jpg 1140w, https:\/\/partnershipstudiesgroup.uniud.it\/wp-content\/uploads\/2024\/01\/Benozzo-1.jpg 1500w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Francesco Benozzo<\/figcaption><\/figure>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color\"><strong>Poets from the Frontier international prize<\/strong><\/p>\n\n\n\n<p>In accordance with the topic used over past years within the creative and <em>partnership<\/em>&nbsp;world, in this new project, entitled&nbsp;<em>Poets from the Frontier<\/em>, <strong>ALL<\/strong>, in collaboration with the&nbsp;<strong>Partnership Studies Group<\/strong>, aims at creating a <strong>prize<\/strong>, which can hopefully be awarded year after year. The prize aims at assessing and enhancing poetic expression and creative writing, with the objective of traversing interdisciplinary borders, exploring complex and mutable landscapes, tracing paths in \u2018different\u2019 territories, from local to global, in order to achieve an experimental multidisciplinary, poetic and artistic laboratory, where a caring and&nbsp;<em>partnership<\/em>&nbsp;culture may be cultivated, according to the principles proposed by the Partnership Studies Group. Since poetry expresses itself in different languages and suggestive forms, like the multi-coloured tiles of a mosaic, the prize is also intended for other \u2018arts\u2019, such as figures of the constant presence of the humane, indelible traces of a route where being and becoming meet, iridescent and magical textures of spiritual and artistic itineraries, as in the Songlines of Aboriginal Australians, or other \u2018singers of boundaries\u2019. Poetry, in particular that of minority languages, is often a song with manifold voices, narrating stories of strength, courage and great love for one\u2019s roots, language, tradition and culture.<\/p>\n\n\n\n<p>Parallel to the literary dimension, poetry enacts a series of different functions that go from the representation of identity, to educational practices, to shamanic rituals for the community. The prize intends to promote a new awareness of these multiple roles and meanings of poetry in our contemporary world. It aims at valorising figures of poets and artists who operate across borders, among different practices, genres, cultures, and who recover artistic forms which are menaced or have disappeared, who experiment by taking poetry into new territories, or bringing it \u2018home\u2019 from places which may seem far away.<\/p>\n\n\n\n<p>The prize will be awarded for the internationally renowned activity of&nbsp;scholars, artists or poets of recognised merit, whose work embodies an open and bold interdisciplinary vision from a cultural, literary, poetic, linguistic and scientific point of view.<\/p>\n\n\n\n<p>The prize will be awarded according to the undisputable evaluation of an international Commission expressly established and chaired by Prof. Antonella Riem, University of Udine, Italy. The Commission is thus composed: Honorary Professor Sue Ballyn University of Barcellona, Spain, Prof. Franco Cardini, Emeritus Professor of Medieval History, Institute of Social and Human Sciences, Scuola Normale Superiore, Italy; Professor Emerita Coral Ann Howells, University of Reading United Kingdom; Prof. Anselmo Paolone, University of Udine, Italy.<\/p>\n\n\n\n<p>The prize may be bestowed also in further editions to internationally renowned scholars, artists and poets.<\/p>\n\n\n\n<p><strong>WINNER 2022: FRANCESCO BENOZZO<\/strong><\/p>\n\n\n\n<p>In 2022, the Partnership Studies Group Committee (USA, Australia, UK, France and Italy), chaired by Prof. Riem, awards the International Prize \u201cPoets from the Frontier\u201d to Prof. Francesco Benozzo. Benozzo has been a permanent candidate for the Nobel Prize in Literature since 2015, with nominations made public by PEN International and is also the Italian candidate for the prestigious Berggruen Prize for Philosophy and Culture. He is the author of long epic-oral poems translated into the main languages, including the recent&nbsp;<em>Autoktonia. Poema del suicidio<\/em>&nbsp;(2021),&nbsp;<em>M\u00e1elvarstal. Poema della creazione dei mondi&nbsp;<\/em>(2020),&nbsp;<em>Poema dal limite del mondo&nbsp;<\/em>(2019) and&nbsp;<em>Poeti della marea. Canti bardici gallesi dal VI al X secolo<\/em>&nbsp;(2022).<\/p>\n\n\n\n<p>The eminent critic Lope Estrada thus describes Benozzo: \u201cVisionary, unsettling, epic, windy, Benozzo has the inimitable capacity to recapture the original word when it first named the world. [\u2026]. Poem after poem, unfailingly and amazingly this poet enacts a revolution of the very idea of poetry: with his atemporal and universal dimension, he is the Homer of post-modernity\u201d.<\/p>\n\n\n\n<p>On July 1, in the garden of Palazzo Antonini, University of Udine, Prof. Riem awarded the Prize and read the motivations:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Poeti dalla Frontiera video-trailer\" width=\"960\" height=\"720\" src=\"https:\/\/www.youtube.com\/embed\/QJ3R5cJE-Sk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>\u201cFrancesco Benozzo originally traverses different genres with outstanding beauty and originality, balancing visionary power with an in-depth reading of landscapes experienced through and in the physical body. This occurs through a \u2018spontaneous adherence\u2019 to their rhythm, as a voice and lyric experience of the magnificence of the natural world. Thanks to his precious ethnophilological, social, cultural work and his civic engagement he succeeds in reviving ancient native traditions, giving voice to ancestral landscapes, at the margins and ridges he explores as an itinerant walker, moving like an acrobat along a fine line, at the edge of mythology, lyric and song. His idea of poetry is significant and original. Benozzo\u2019s poetry builds \u2018unusual mansions\u2019 for itself; his poetry, as he says, \u2018manifests while subtracting itself\u2019. It takes form always on high cliffs and at the edge of emerged lands, in a timeless and universal dimension, which, at the rhythms of the poet\u2019s walking, sets the step for a positive restlessness, erratic and nomadic, open to a dialogue with places and the ancient Bards\u2019 song\u201d.<\/p>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"777\" height=\"1024\" src=\"https:\/\/partnershipstudiesgroup.uniud.it\/wp-content\/uploads\/2024\/01\/Alberta-1.jpeg\" alt=\"\" class=\"wp-image-1386\" srcset=\"https:\/\/partnershipstudiesgroup.uniud.it\/wp-content\/uploads\/2024\/01\/Alberta-1.jpeg 777w, https:\/\/partnershipstudiesgroup.uniud.it\/wp-content\/uploads\/2024\/01\/Alberta-1-228x300.jpeg 228w, https:\/\/partnershipstudiesgroup.uniud.it\/wp-content\/uploads\/2024\/01\/Alberta-1-768x1012.jpeg 768w\" sizes=\"(max-width: 777px) 100vw, 777px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"1024\" height=\"881\" src=\"https:\/\/partnershipstudiesgroup.uniud.it\/wp-content\/uploads\/2024\/01\/BRM-1.jpeg\" alt=\"\" class=\"wp-image-1387\" srcset=\"https:\/\/partnershipstudiesgroup.uniud.it\/wp-content\/uploads\/2024\/01\/BRM-1.jpeg 1024w, https:\/\/partnershipstudiesgroup.uniud.it\/wp-content\/uploads\/2024\/01\/BRM-1-300x258.jpeg 300w, https:\/\/partnershipstudiesgroup.uniud.it\/wp-content\/uploads\/2024\/01\/BRM-1-768x661.jpeg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>From more info on the prize, <a href=\"https:\/\/all.uniud.it\/en\/poets-from-the-frontier\/\">click here<\/a>.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><span class=\"has-inline-color has-luminous-vivid-orange-color\">International Project 2023 &#8220;Imagining Blue Embodied Seascapes: Transdisciplinary Dialogues with the Mediterranean Sea&#8221;<\/span><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Imagining Blue Embodied Seascapes: Transdisciplinary Dialogues with the Mediterranean Sea TRAILER\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/1gHl6J1DWP8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>\u201cImagining Blue Embodied Seascapes: Transdisciplinary Dialogues with the Mediterranean Sea\u201d is an intermedial project that intends to be <strong>a reflection on the archive of the Mediterranean Sea from an eco-critical, ecological and \u201cpartnership\u201d perspective<\/strong> that speaks of beauty, care and encounter. The languages of the project are multiple because they start from poetry, and mingle across music, figurative art, video art and performance. <\/p>\n\n\n\n<p>Direction and Production: Dr. Mattia Mantellato (University of Udine). Supervisors Prof. Antoinette Camilleri Grima (University of Malta) and Prof. Antonella Riem (University of Udine). With the support of The Partnership Studies Group (PSG) of the University of Udine. Poetry: Maria Grech Ganado and Simone Galea. Visual Artist: Kamy Aquilina. Performers: Mattia Mantellato, Adeline Chevrier-Bosseau and Giulia Baratella. Music and Sound Composition: Filippo Franceschini. Recording and Editing: James Moffett and Jos\u00e9 Fogliarini.<\/p>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color\"><strong>Artistic Project 2019 PATRIAE: Journey in the Patriarchate of Aquileia<\/strong><\/p>\n\n\n\n<p>This <strong>historical docufilm in Friulian language, directed by Marco D&#8217;Agostini in collaboration with ALL<\/strong> (Association of Graduates in Foreign Languages and Literatures of the University of Udine) <strong>and the PSG<\/strong> focuses on the journey of Carolina, a 14 year old girl who carries out a research of an important phase of the history of Aquileia and collects the traces of the most significant phases of three centuries of events (1077-1420): from the foundation of the city, through its progress as a political entity with a fluid and syncretic religion, until its decline due to the alliance of part of the Friulian nobility with the Venetians. <strong>The project mingles together different art forms, from photography to comics, dance and music<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Patriae. Via\u00e7 tal Patriarcj\u00e2t di Aquilee\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/Y5NDpkcqStk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong><span class=\"has-inline-color has-luminous-vivid-orange-color\">Artistic Project 2018 LivingBodies@BlurringRealities<\/span><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"PSG LivingBodies@BlurringRealities\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/B1H0c0JX3Bs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>As part of Conoscenza in Festa 2018, the <strong>project dialogues poetically with the city of Udine through installations and performances<\/strong> centered on the connection between the physicality of the body and the immaterial and blurred reality of the digital world. Organized by: Partnership Studies Group (University of Udine), collective DMAV and Alessandro Rinaldi, the visual artists Tiziana Pers and Isabella Pers, the choreographer and performer Mattia Mantellato and the Italian School Cantastorie (La Voce delle Fiabe) with Piera Giacconi.<\/p>\n\n\n\n<p><span class=\"has-inline-color has-luminous-vivid-orange-color\"><strong>Project 2006: Words from the Edge, Indigenous Voices<\/strong><\/span><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Words from the edge\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/gHLXCkckEvM?start=4&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color\"><strong>Multidisciplinary, Creative and Experimental Project 2004: Other Signs, Others Voices<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Altri segni Altre Voci\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/LyXCYcX3Rqs?start=2&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The Partnership Studies Group has a particular focus on the transformative power of imagination. As Einstein says, \u201cImagination is more important than knowledge. Knowledge is limited. Imagination encircles the world\u201d. And David Malouf, in&nbsp;An Imaginary Life, states:&nbsp;&#8220;We are free to transcend ourselves. If we have the imagination for it&#8221;. Poetry, art and music are instruments of beauty and truth, of openness, dedication and care towards the&nbsp;Other. &nbsp; Although&nbsp;P\u00f3iesis&nbsp;today is often considered as an imaginative contemplation detached from the world, from immemorial time it has always been \u201caction\u201d. Indissolubly linked to voice and song, it is a spell; in ritual actions to interact with the world it becomes a drama; in Romanticism, where the poet is&nbsp;Vates, poet and prophet, it is a teaching of how to \u201clive in the world\u201d. The PSG&#8217;s Actions for Poetry In Memory of Francesco Benozzo. Beloved Friend, Shaman, Poet, and Bard Antonella Riem Natale for the International Partnership Studies Group and the Global Academy of the Liberal Arts Network Dear Colleagues and Friends, It is with a heavy heart that I share the devastating news of the sudden death from a heart attack of our beloved friend Francesco Benozzo, poet, singer, musician, and Bard, as well as our candidate for the Nobel Prize in Literature. This is an immense loss for all of us \u2012 friends, colleagues, and the wider world of scholarship, poetry, music, and song. In honour of his remarkable legacy and in celebration of the beauty, light, and truth he brought into the world, I would like to share an excerpt from the afterword I wrote for the third publication of his brilliant, original, and thought-provoking poetic work, part of our ALL series. Sciamanica. Poemi dai confini dei mondi.&nbsp;Poems from the Borders of the Worlds&nbsp;(2013-2023)&nbsp;is the third publication in our series ALL of a book by Francesco Benozzo, and it completes an important triangulation. The first publication of the Welsh Bards&#8217; songs&nbsp;is the basis of this creative equilateral triangle, where Benozzo recovers and presents what he thinks is at the foundation of our world poetry, that is the Bardic poems\/songs in the ancient Celtic traditions. Benozzo imagines them as men constantly exposed to the inclemencies of bad weather, with seaweeds sticking on their ankles when they walked along the rocky seaside plateaus, rhythmically and dangerously being submerged by the high tide and then resurfacing in the low. He imagines them moving constantly on river estuaries and in the small villages of the heartland, classical figures of poetic dissidence who fought through poetry and song, trying to show what really mattered, the permanent and fundamental elements of nature and life, far from its empty social habits and customs. Benozzo believes that a rebirth can or should take place through the poetic word and song, expressed through a poetic dissidence and tied to the great and ancient landscapes, rather than connected to the social packs of&nbsp;Homo Sapiens, with his disruptive appropriation of the Earth for his own vile purposes. Benozzo speaks of a few solitary voices that continue to tell about winds and tides and men and women who can never resign to world injustices. This is also the role of his own voice, in his poetry, song, academic work and poetic dissidence. He continues to inspire young and old who happen to&nbsp;meet&nbsp;his work and him in his lectures\/concerts worldwide, beautifully occasioned also by his victory in 2022 of the first edition of the International Prize Poets from the Frontier. The prize was awarded on July 1st 2022 in the Gardens of Palazzo Antonini, Udine University. This is the International Jury\u2019s motivation: Francesco Benozzo originally traverses different genres with outstanding beauty and originality, balancing visionary power with an in-depth reading of landscapes experienced through and in the physical body. This occurs through a \u2018spontaneous adherence\u2019 to their rhythm, as a voice and lyric experience of the magnificence of the natural world. Thanks to his precious ethnophilological, social, cultural work and his civic engagement he succeeds in reviving ancient native traditions, giving voice to ancestral landscapes, at the margins and ridges he explores as an itinerant walker, moving like an acrobat along a fine line, at the edge of mythology, lyric and song. His idea of poetry is significant and original. Benozzo\u2019s poetry builds \u2018unusual mansions\u2019 for itself; his poetry, as he says, \u2018manifests while subtracting itself\u2019. It takes form always on high cliffs and at the edge of emerged lands, in a timeless and universal dimension, which, at the rhythms of the poet\u2019s walking, sets the step for a positive restlessness, erratic and nomadic, open to a dialogue with places and the ancient Bards\u2019 song. This is a fond memento of that very special occasion. The second side of this triangle is a dense, thought-provoking and penetrating poetic manifesto on Benozzo\u2019s own idea of poetry, in its multifarious connections and echoes with the natural world and song.&nbsp;The Ridge and the Song. Sailing the Archipelago of Poetry indicates a path to the poetry reader\/lover, in particular for those who believe poetry can still save the world, taking us into the secret\/sacred core of poetry and his own poems, in their mysterious creative energy, full of sudden revelations, incredible heights and fearful abysses of magnificence and verity. Benozzo explores the way&nbsp;Homo Poeta&nbsp;composes and sings the cosmos and gives voice to a poetic dialogue and mirroring between inner and outer worlds, the Landscape and the Soul. Thus, the Poet is the ancestral shaman, who, like the Welsh Bards, while ritually walking the landscape, expresses integrity and grace for those who can listen with their open hearts. The most welcomed and applauded third side of this equilateral triangle is this publication,&nbsp;Sciamanica. Poemi dai confini dei mondi.&nbsp;Poems from the Borders of the Worlds&nbsp;(2013-2023).&nbsp;Thanks to the gracious collaboration between Chiara De Luca, with her praiseworthy&nbsp;Kolibris&nbsp;publisher, and our series ALL, Forum Editrice Universitaria, we collect here the seven main Poems by Francesco Benozzo, published in the past ten years, with an English translation by the Canadian poet Gray Sutherland. They are mythological and epic texts composed mainly in an oral form,&nbsp;en plein air, and then transcribed in Benozzo\u2019s notebooks. The poet moves in an absolute physical contact with natural landscapes and creates poems that are \u201cpoised between shamanic song and the cosmogony of the human heart\u201d, as the U.S.A. poet Barry Wallenstein commented. The literary critic M. Lope Estrada thus speaks of Benozzo\u2019s poetic activity: \u201cVisionary, bewildering, epic, Benozzo has a special capacity to take the word back to the moment when it named the world for the very first time. [\u2026]. What this poet consistently and surprisingly puts into action, poem after poem, is a revolution of the very idea of poetry: bluntly, and with its timeless and universal dimension, he is today\u2019s Homer of post-modernity\u201d. Sciamanica significantly relates to shamanism and manifests a profound and creative connection with the Master of Partnership Studies and Shamanism, in its subsequent incarnation under other subtitles: Master of Partnership Studies and Native Traditions, Master of Partnership Studies and Poetry and Wisdom I direct, active at my Department DILL, University of Udine, since 2020-2021. Benozzo\u2019s long-standing scholarly knowledge and profound experience of world native shamanic traditions was the occasion to invite him to participate in the International Scientific Committee of the Master, together with other worldwide experts of shamanism. This was the beginning of a profound and beneficial collaboration,&nbsp;and a long standing friendship which brought and will always bring&nbsp;to fruition many interesting and valuable projects, such as these editorial works, concerts, projects, lectures and much more.&nbsp; The first thing I wish to mention about Benozzo\u2019s Poems is the epic originality, freshness and powerful resonance of their titles, so far removed from any fashionable poetic trend, empty and superficial, aiming at tickling the palate of a public used to synthetic tastes, full of artificial flavourings but empty of any nourishing force. Inert, dead, empty.&nbsp; On the contrary, these titles, these noble and ancient words, cleansed of their everyday and banal use, renewed and&nbsp;trans-formed&nbsp;through the poet\u2019s power of intent observation, create a potent alert for the mind and the senses. They invite to an impassionate but steady gaze and ear, preparing the reader to be ready and move along with the rhythm of the verses and the landscapes they cover \u2013 or try to&nbsp;uncover.&nbsp;Onirico Geologico&nbsp;\/&nbsp;Oneiric Geological&nbsp;(2013);&nbsp;Felci in rivolta. Un Poema orale in quattro parti \/ Ferns in Revolt.&nbsp;An Oral Poem in Four Parts;&nbsp;La capanna del naufrago \/ The Castaway\u2019s Shack (2017);&nbsp;St\u00f3ra D\u00edmun. Poema camminato \/ A Walked Poem \/ Gongur\u00edma&nbsp;(2019);&nbsp;Poema dal limite del mondo \/ Poem from the Edge of the World&nbsp;(2019);&nbsp;M\u00e1elvarstal. Poema della creazione dei mondi \/ Poem of the Creation of the Worlds&nbsp;(2020);&nbsp;Autoktonia. Poema del suicidio \/ Poem of the Suicide (2021). This is so far the main published poetic production of Benozzo. However, thousands of lines lie half-dormant and secreted in his notebooks and recordings. I hope they will take to light soon and be launched into the world, for the benefit of beauty and poetry, bringing to us their majesty and glory, their wealth of perceptions, melodies, vibrations, words, harp and song. A gift of poetry, beauty and truth has to be revealed, openly, passionately, wholeheartedly. It has to be shared as a boon of partnership for the world, to take flight and light, thus illumining our paths. As Benozzo says, we know very little of the Soul. Some say it quenches its thirst at the sources of dawn, like breeze. Benozzo imagines it rather like a wild animal, a magnanimous and ferocious creature who occasionally embraces us humans as the tiger from time to time embraces the enamoured trees in the wilderness. Reading Benozzo\u2019s poems is like being embraced by the wild, magnanimous, ferocious and enamoured tiger, by our wild Soul, quenching our thirst for Beauty and Truth at dawn, \u201cdrinking the milk of Paradise\u201d in the verses of Benozzo\u2019s Poems, like in the Welsh Bard Taliesin\u2019s lines: I was among the wise men, I am the old and the new course I am the voice, I am the soul of men. I am a bard, I do not compose for others, I am the principle, I am the life of things. Francesco, Rest in Peace and Light and Beauty and Truth. You are the Life of things. [1]&nbsp;Benozzo, Francesco,&nbsp;Poeti della marea. Canti Bardici Gallesi dal VI al X secolo. Udine, Forum, 2022, p. 61: \u201cIo fui tra gli uomini saggi \/ Io sono il vecchio, sono il nuovo corso \/ sono la voce, sono l\u2019anima degli uomini. \/ Io sono un bardo, non compongo per gli altri, \/ Io sono il principio, sono la vita delle cose.\u201d (I translate from Benozzo\u2019s Italian version). After its first official nomination of Francesco Benozzo for the Nobel Prize in Literature in 2024,&nbsp;the Partnership Studies Group has officially confirmed its nomination of Francesco Benozzo for the Nobel Prize in Literature 2025. After its first official nomination of Francesco Benozzo for the Nobel Prize in Literature in 2024, the Partnership Studies Group&nbsp;has officially confirmed its nomination&nbsp;of Francesco Benozzo for the Nobel Prize in Literature&nbsp;2025.&nbsp;Benozzo is a member of the PSG and of the international scientific committee of the pioneering Master of Partnership Studies and Native Traditions held at the University of Udine. He is an internationally acclaimed Italian lyric poet, harpist, composer, singer and bard, ethnophilologist (a discipline he founded), dialectologist, ethnographer, and anthropologist. His&nbsp;poetic work is extraordinary, penetrating and vast,&nbsp;and it is centred on the intense and diffused exploration of places, with their poetic mappings of the self and the world, across the&nbsp;Apennines, Galicia, Wales, the Lake District and the Faroe Islands. The most distinguished facet of his production is the retrieval and valorisation of world\u2019s native traditions, through his scientific research, his poetry and performative poems with his Bardic and Celtic harps. His approach to life and literature has always been characterised by an active engagement in intellectual&nbsp;debate and public life, an artistic practice of critical thinking and civil dissidence he believes to be a fundamental role and mission of the artist. He is&#8230;<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/partnershipstudiesgroup.uniud.it\/index.php?rest_route=\/wp\/v2\/pages\/1359"}],"collection":[{"href":"https:\/\/partnershipstudiesgroup.uniud.it\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/partnershipstudiesgroup.uniud.it\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/partnershipstudiesgroup.uniud.it\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/partnershipstudiesgroup.uniud.it\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1359"}],"version-history":[{"count":19,"href":"https:\/\/partnershipstudiesgroup.uniud.it\/index.php?rest_route=\/wp\/v2\/pages\/1359\/revisions"}],"predecessor-version":[{"id":1547,"href":"https:\/\/partnershipstudiesgroup.uniud.it\/index.php?rest_route=\/wp\/v2\/pages\/1359\/revisions\/1547"}],"wp:attachment":[{"href":"https:\/\/partnershipstudiesgroup.uniud.it\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}